When street art is done on an abandoned dilapidated building, ok, fine. When street art is done on the monumental staircase of a neo-Romanesque-cum-neo-Gothic nineteenth century church, in a working class neighbourhood, man, what the f#!*.
At witnessing an artwork stuck to the steps of Notre-Dame-de-la-Croix church at Ménilmontant, at first, I’m surprised at such audacity. Parisian graffiti artists have codes which dictate that churches are left alone. Moreover, my education at Holy Trinity (Church of England) primary school in London, and years involved with the Scout Association, served to ennoble me with a sense of religious morality, and respect and fear of God and his less ethereal manifestations in the form of vicar, bishop, church, cathedral, all of which I’m certain allow no room for illegal art interventions of any kind.