Hybridisation is probably the most and least suitable noun to describe Michael Kershnar’s work, a mixture of graffiti and skate cultures, indigenous American iconography, Old Testament stories. We met him at an apartment he’d been keeping for a few months, just off of the Grands Boulevards, where he took time to graciously share his story with us, along with some cheese and avocado.
How would you describe your artwork, its message, the audience?
Creation, The Creator, something larger, trying to invoke ancient feelings, too, something kind of familiar, which touches people regardless of gender or age.
I want little kids and their grandmothers to like it. I want a hard core audience to like it: skateboarders, cynical graffiti writers, – everyone across the board. And of course, not everyone will like it, but I like to make it accessible. I keep trying to approach what I would call ‘aesthetic truths’: perfect composition, perfect use of space, that there’s some mastery or undeniable beauty.